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Diane von Furstenberg is headed up by Nathan Jenden once more for SS19, and he calls on the founder’s signature silhouette – the wrap dress, in case you didn’t know – for the Eloise. Framed with satin grosgrain trims, velvet comes out of the folds of winter and into the summer sun to create its asymmetric profile, making the cut all the more flattering. It only needs to be tied in a bow at the side to cinch the waistline and pool to the ankles.Diane Von Furstenberg velvet dressSlips onV neck, long sleeves, all over striped pattern, wrap around bodice, self tie fastening at waist, flared skirt, handkerchief hem, slip dress lining82% polyester, 12% elastaneDry cleanTrue to sizeSize 8: Length 37”Model is 5ft 10” and wears a size 8

Diane Von Furstenberg Eloise Velvet Midi Wrap Dress In Goldenrod/lilac/black
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First seen in Sep 2018

DIANE VON FURSTENBERG
Eloise Velvet Midi Wrap Dress In Goldenrod/lilac/black

$598

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Diane Von Furstenberg Eloise Velvet Midi Wrap Dress In Goldenrod/lilac/black
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Diane Von Furstenberg Eloise Velvet Midi Wrap Dress In Gold Lilac
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Product Details
Diane Von Furstenberg Eloise Velvet Midi Wrap Dress In Goldenrod/lilac/black

Eloise Velvet Midi Wrap Dress In Goldenrod/lilac/black

Diane von Furstenberg is headed up by Nathan Jenden once more for SS19, and he calls on the founder’s signature silhouette – the wrap dress, in case you didn’t know – for the Eloise. Framed with satin grosgrain trims, velvet comes out of the folds of winter and into the summer sun to create its asymmetric profile, making the cut all the more flattering. It only needs to be tied in a bow at the side to cinch the waistline and pool to the ankles.Diane Von Furstenberg velvet dressSlips onV neck, long sleeves, all over striped pattern, wrap around bodice, self tie fastening at waist, flared skirt, handkerchief hem, slip dress lining82% polyester, 12% elastaneDry cleanTrue to sizeSize 8: Length 37”Model is 5ft 10” and wears a size 8

about DIANE VON FURSTENBERG
Diane von Furstenberg first entered the fashion world in 1970 with a suitcase full of jersey dresses. Four years later, she created the wrap dress, which came to symbolize power and independence for an entire generation of women. By 1976, she had sold over a million of the dresses and was featured on the cover of Newsweek. In 1997, after a hiatus from fashion, Diane re-launched the iconic dress that started it all, reestablishing her company as the global luxury lifestyle brand that it is today. DVF has expanded to a full collection of ready-to-wear and accessories including shoes, handbags, small leather goods, scarves, and jewelry. The company also offers luggage, eyewear, and home furnishings. DVF is now sold in over 55 countries, including 132 DVF owned and partnered stores throughout North and South America, Europe, the Middle East and Asia Pacific. In 2005, Diane received the Lifetime Achievement Award from the Council of Fashion Designers of America (CFDA) for her impact on fashion, and one year later was elected the CFDA’s President. In this significant role, she has dedicated herself to fostering emerging talent and helping to establish the Design Piracy Prohibition Act, which protects designers from counterfeit reproductions of their work. In 2015, Diane was named Chairman of the organization. Diane's commitment to empowering women is expressed not only through fashion but also philanthropy and mentorship. She sits on the board of Vital Voices, a non-governmental organization that supports female leaders and entrepreneurs around the world. In 2010, with the Diller-von Furstenberg Family Foundation, Diane established the DVF Awards to honor and provide grants to women who have displayed leadership, strength and courage in their commitment to their causes. In 2014, Diane published a memoir, The Woman I Wanted to Be. In 2015, she was named one of the TIME 100 Most Influential People. With her corporate headquarters in New York's Meatpacking District, Diane has long been a vocal member of the local community and was actively involved in the campaign to save the historic High Line railway and to develop The High Line into what it is today. She also serves on the board of Culture Shed, the new center for artistic and cultural innovation in New York City.
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